People at markets often ask me, “Do you do this full-time?”
And my answer—said with a smile—is: Happily, NO!
When I was teaching full-time, I used to think that to be a “real” artist, I had to make it my sole income. So when I left teaching, I leapt into my jewelry business... but with the safety net of a part-time job. Two years in, I can confidently say: I never want to be a full-time artist.
Not because I don’t love what I do—I truly do—but because I’ve found a balance that works beautifully for me. And maybe, it’ll resonate with you too.
So, why won’t I go full-time?
I need variety
One reason I burned out as a teacher? Every day felt the same.
Now, I get to wear different hats: one day I’m crafting in my studio, the next I’m teaching others how to silversmith, and another day I’m helping with a community art class.
It keeps my brain happy and my creativity flowing.
It takes the pressure off
Running a business means riding the wave of good markets, slow seasons, and unexpected twists (hello, economy!).
Thanks to my part-time gigs, I don’t have to panic if a market flops. I can still pay my bills and sleep soundly—which lets me enjoy making jewelry instead of stressing over every sale.
I need people
Studio time is sacred. As an introvert, I love being in my creative cave. But too much alone time? I start to unravel.
My other jobs get me out into the world—talking, laughing, connecting—and that balance keeps me grounded.
It keeps the fun (and the art) alive
When making jewelry is your only income, it’s easy to fall into the trap of only creating what’s sure to sell.
But where’s the fun in that?
With less financial pressure, I get to experiment, play, and make things that light me up. That’s where the real magic happens.
There’s no one-size-fits-all path to being an artist.
But this is mine, and I hope it encourages other creatives to carve out a version of success that actually feels good—not just looks good on paper.